“A masterpiece in the tradition of the Decameron and the Canterbury Tales, Juan Ruiz’s fourteenth-century Spanish narrative poem combines the comic and the serious, the bawdy and the practical, the satiric and the tender, the devout and the blasphemous. In a first prose translation, Professors Mignani and Di Cesare succeed in conveying the vitality and sly humor of the original. The poem consists of a loosely unified series of fourteen amorous adventures of the Archpriest of Hita, interlaced with debates, fabliaux, fables, and exempla. Ruiz suggests that while man ought to seek buen amor (true love, or love of God), he is prone to loco amor, or worldly love. The Book proposes to show human folly so that men may be forewarned of the bad and choose the good. The episodes related in the stanzas and in songs in various lyrical styles parody such conventions as courtly love, epic battle, or church ritual. Ruiz was clearly fascinated by the concrete, as well as the allegorical, for his episodes have dates and actual settings, and popular speech is incorporated into his verses. In their introduction, the translators survey the major scholarly studies of the poem and offer their own critical reading of it. Their annotated bibliography and notes to the translation will be useful to students as well as scholars.”

“Christine de Pizan attracted an international audience of admirers her during her lifetime, including many readers in England. The Boke of the Cyte of Ladyes (1521) is the earliest English translation of Le Livre de la cité des dames (ca. 1405) and the only version printed in French or English before the twentieth century. Her work stands as an early stronghold against misogynist thinking, with more than one hundred stories about women’s capacity for intelligence and virtue assembled under the auspices of Reason, Rectitude, and Justice to form an allegorical City of Ladies. Modern readers can now rediscover Christine de Pizan’s landmark defense of women in the French and English of its original readers. This new edition offers rich material for scholars interested in gender studies, history, humanism, and the field of Anglo-French literature. The facing page format lets readers closely compare the fifteenth-century Middle French of its female author with the sixteenth-century English text by a male translator. A critical introduction and scholarly annotations enhance its usefulness as a resource for students and critics.”

“The Celtic tales on which the Grail legend is based emphasize the theme of the Quest. Through his exploration of several versions of this myth that appeared in the Middle Ages, Jean Markale digs deep beneath the Christian veneer of these tales, allowing us to penetrate to the true meaning of the Grail and its Quest, legacies of a rich Celtic spirituality that has nourished the Western psyche for centuries. He also examines how these myths were later used by the Knights Templar, as well as how their links with Alchemy and Catharism played a decisive role in the shaping of Western Hermetic thought.”

“When Saladin recaptured Jerusalem from the Crusaders in 1187, returning the Holy City to Islamic rule for the first time in almost ninety years, he sent shockwaves throughout Christian Europe and the Muslim Near East that reverberate today.

It was the culmination of a supremely exciting life, fraught with challenges and contradictions but blessed occasionally with marvellous good fortune. Born into a significant Kurdish family in northern Iraq, Saladin shot to power in faraway Egypt thanks to the tutelage of his uncle. Over two decades, this warrior and diplomat fought under the banner of jihad, but at the same time worked tirelessly to build an immense dynastic empire that stretched from North Africa to Western Iraq. Gathering together a turbulent and diverse coalition he was able to capture Jerusalem, only to trigger the Third Crusade and face his greatest adversary, King Richard the Lionheart.” GoodReads

 “This book reconstructs one aspect of that imaginative process. It considers a range of printed and documentary evidence – the majority previously unpublished – for the way ordinary individuals thought about their houses and households. It then explores how writers of domestic tragedies engaged those attitudes to shape their representations of domesticity. It therefore offers a new method for understanding theatrical representations, based around a truly interdisciplinary study of the interaction between literary and historical methods”

“Paul Chrystal has written the first full length study of women and warfare in the Graeco Roman world. Although the conduct of war was generally monopolized by men, there were plenty of exceptions with women directly involved in its direction and even as combatants, Artemisia, Olympias, Cleopatra and Agrippina the Elder being famous examples. And both Greeks and Romans encountered women among their ‘barbarian’ enemies, such as Tomyris, Boudicca and Zenobia. More commonly, of course, women were directly affected by war as noncombatant victims, of rape and enslavement as spoils of war and this makes up an important strand of the author’s discussion. The portrayal of female warriors and goddesses in classical mythology and literature, and the use of war to justify gender roles and hierarchies, are also considered. Overall it is a landmark survey of how war in the Classical world affected and was affected by women.”